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Monday, October 01, 2007
1 Comments:
Starring Brian Dennehy, an unusual actor for a Peter Greenaway film, as Kracklite, an architect, a career we don't often see explored in cinema, Greenaway's 'Belly of an Architect' is somehow bigger and more emotionally ambitious than most of his other works, which lack human resonance. In his other films, the characters are uniformly British and so Greenaway's coldness and archness toward them is indicative of a general misanthropy. Here, it's aimed squarely at Romans, whose loose morals and carnivorous practices contrast with the enormity of Kracklite's ego and generosity of spirit. His stomach is being eaten away by some unknown illness or cancer, and this serves as a metaphor for his ego being eaten away by the carnivorousness of Roman culture. His wife, his identity (which is a vicarious one, given his devotion/debt to his idol, Bouleé) and his work are being repossessed by the conquestful Roman carnivores who aim to destroy him simply for the material gain of taking what is so ostentatiously his. abogado online abogado online abogado online abogado online abogado online abogado online abogado online abogado online abogado online abogado online abogado online abogado online abogado online abogado online abogado online abogado online abogado online abogado online abogado online abogado onlineBut his devotion to Bouleé, his need to make Bouleé's work more widely known, is not a singular or altruistic act; the exhibition he is organizing will make Bouleé more commercial and accessible, but it will also be an addendum to his own career, a manifestation of his ego. His diary is written in the form of letters to Bouleé, to whom he is almost praying as his own personal God. And his devotion to this God is not a selfless one, since Bouleé is so inexorably an element of his own identity.
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