Wednesday, October 31, 2007

maborosi



1998 film by Kore-eda Hirokazu, who also directed Nobody Knows which I loved. This film was also too beautiful. It was about loss and moving on. Who says you need close-ups to convey emotions?

posted by irmik @ 8:46 PM 

1 Comments:

Blogger Unknown said...

I don't think I have ever witnessed a film, in which the cinematography was so outstanding that it really was the star of the picture. This film, about a Japanese woman who remaries and moves to a small fishing village after her last husband comits suicide is less about the story but more about its surroundings. Scenes are mostly taken and shot from a distance with little camera movement, in a way they become living paintings. Blues, reds, and greens come in to accent shots, moving vehicles enter to give splash of colour and brilliant contrast. The actors are distant. I couldn't take my eyes let alone blink for the fear of missing something amazing. abogado online abogado online abogado online abogado online abogado online abogado online abogado online abogado online abogado online abogado online abogado online abogado online abogado online abogado online abogado online abogado online abogado online abogado online abogado online abogado onlineThe simple act of a child throwing a pink ball, to the sunlit rooms that get illuminated, to blue paint in fishing boats it all had me engrossed. I found myself more as a participant in a museum gallery of high art than being engaged in a plot or story not that there isn't one or that it was bad. I have never witnessed a film like this and even found that just the scenes themselves and the background of story brought so much emotion out of me.

6:32 PM  

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